'I saved lives and I got rewarded and I'm bloody well not going to apologise for it.' Sir Neil Marriot had a 'good pandemic', becoming familiar to millions from his TV appearances as a government medical advisor. His service even earned him a knighthood, and he is now rewarding himself with a lavish birthday party. But, amidst the oak panelling, the champagne and the silver service, his family are at one another's throats again, and he thinks there's something familiar – and somehow unsettling – about one of the catering staff... The Snail House is a play about how the past impacts on the present, and how overconfidence can have disastrous consequences. Written and directed by Richard Eyre, it premiered at Hampstead Theatre, London, in September 2022.

Richard Eyre's high-profile adaptation of Ibsen's famous 'problem play' about a headstrong woman's determination to control those around her. Arriving home after an extended honeymoon, Hedda struggles with an existence that is, for her, devoid of excitement and enchantment. Filled with a passion for life that cannot be confined by her marriage or 'perfect home', Hedda strives to find a way to fulfil her desires by manipulating those around her. Richard Eyre's adaptation of Ibsen's Hedda Gabler was premiered at the Almeida Theatre, London, in 2005. Included in this volume is an introduction to the play by Richard Eyre.

Stanislavski's 'system' has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski's huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.

Acclaimed director Richard Eyre's version of Henrik Ibsen's "Ghosts" is a fresh and vivid depiction of a woman who yearns for emotional and sexual freedom, but who is too timid to achieve it.
Helene Alving has spent her life suspended in an emotional void after the death of her cruel but outwardly charming husband. She is determined to escape the ghosts of her past by telling her son, Oswald, the truth about his father. But on his return from his life as a painter in France, Oswald reveals how he has already inherited the legacy of Alving's dissolute life.
This edition contains an introduction to the play by Richard Eyre, which appeared in an edited version in the "Guardian."
"Raw and unsparing, but also devastatingly true to the spirit of the original... theatre seldom, if ever, comes greater than this." - "Sunday Telegraph"
"Both humorous and deeply affecting... the most lucid and affecting version of the play I have ever seen." - "Time Out"
"Richard Eyre's new stripped-down 90-minute version has glories too many to list." - "The Times"
"Held me in its grip throughout... leaves one reeling." - "Telegraph"
"Glittering, dark... as fresh and unsettling as ever." - "Financial Times"
"Grabs you by the throat and never releases its grip... extraordinary." - "Guardian"
"Scaldingly intense... the inexorable build-up of tension is beautifully calibrated." - "The Arts Desk"
Richard Eyre worked for ten years in regional theatre in Leicester, Edinburgh and Nottingham. He was producer of the BBC's Play for Today from 1978 to 1981, and was Artistic Director of the National Theatre from 1988 to 1997. He has since worked widely in theatre and opera - including in the West End, at the National Theatre and the Royal Opera House, on Broadway and in Aix-en-Provence. His film and television work includes "The Ploughman's Lunch, Tumbledown, Iris, Notes on a Scandal," and "Changing Stages," a six-part look at twentieth-century theatre. He has received many awards for theatre, TV and film, and was knighted in 1997.

Ibsen's forensic examination of a marriage as it falls apart, in a version by Richard Eyre. How is a life well-lived? Alfred Allmers comes home to his wife Rita and makes a decision. Casting aside his writing, he dedicates himself to raising his son. But one event is about to change his life forever. Little Eyolf was first performed in 1894. This new version, adapted and directed by Richard Eyre, premiered at the Almeida Theatre, London, in 2015. The third in a trilogy of revelatory Ibsens, Little Eyolf follows Richard Eyre's multi-award-winning adaptations of Ghosts (Almeida, West End and BAM, New York), and Hedda Gabler (Almeida and West End).

In this lavishly illustrated hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse as the Cottesloe in 1977, Glyndebourne in 1994, the Orange Tree Theatre in 1991, the Martha Cohen Theatre in 1985 and the Tina Packer Playhouse in 2001, he discovered why the same show worked in some theatres but not in others. It is this unique blend of experience that informs this account of many of the best-known theatre spaces in Britain, besides many international examples including the Guthrie Theater, Minneapolis and the Oslo Opera House. Running throughout is a consideration of factors which have shaped design thinking during this time and which demand attention today. After the long theatre closures driven by the Covid-19 pandemic, Mackintosh argues that now is the time to discover the routes travelled over the last century. Published in partnership with the Society of Theatre Research, the book features a foreword by Sir Richard Eyre, Director of the National Theatre, 1987-1997.

Harold Pinter is undoubtedly one of the world's major playwrights. In this tribute to him on his seventieth birthday, a number of people from theatre, television and radio and the world of cricket and political commentary came together to celebrate the writer and the man in specially written pieces for this book. Together, all these illuminate with affection, humour and insight the work, the man behind the work and the appeal of both. With an introduction by Richard Eyre, the contributors include Alan Bates, Eileen Diss, Lindsay Duncan, Simon Gray, David Hare, Ronald Harwood, Douglas Hodge, Patrick Marber, Louis Marks, Ian McDiarmid and Jonathan Kent, Edna O'Brien, Peggy Paterson, John Pilger, Hilary Wainwright, Janet Whitaker, Penelope Wilton, Robert Winder, and Henry Woolf.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT010304London: printed by H. Clark, for Jonah Bowyer, 1716. 24p.; 8

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT010305Half-title: 'Mr. Eyre's sermon at the funeral of Charles Fox Esq;'.Oxford, 1713. 8],23, 1]p.; 4

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT045952With a final page of advertisements; variant: without the advertisements.London: printed by H. Clark, for Jonah Bowyer, 1716. 27, 1]p.; 4

From Simon & Schuster, Lifebalance is Linda and Richard Eyre's guide on how to simplify and bring harmony to your everyday life. Espousing an approach to living that emphasizes balance between personal and professional demands, a new guide shows readers how to make and stick to decisions that will help make sense of often contradictory demands on their time.

Filled with invaluable know-how, this easy-to-follow guide from the authors of the #1 national bestseller Teaching Your Children Values presents practical advice for teaching children how to take a joyful, positive, and optimistic approach to life.

A superlative account of how theatre is made, in the words of the very people who make it. In Talking Theatre, Richard Eyre uses his unrivalled access to leading theatre people to allow us to eavesdrop on the stories behind many of the most important productions and performances in the theatre of recent times: John Gielgud * Peter Brook * Margaret 'Percy' Harris * Peter Hall * Ian McKellen * Judi Dench * Trevor Nunn * Vanessa Redgrave * Fiona Shaw * Liam Neeson * Stephen Rea * Stephen Sondheim * Arthur Laurents * Arthur Miller * August Wilson * Jason Robards * Kim Hunter * Tony Kushner * Luise Rainer * Alan Bennett * Harold Pinter * Tom Stoppard * David Hare * Jocelyn Herbert * William Gaskill * Arnold Wesker * Peter Gill * Christopher Hampton * Peter Shaffer * Frith Banbury * Alan Ayckbourn * John Bury * Victor Spinetti * John McGrath * Cameron Mackintosh * Patrick Marber * Steven Berkoff * Deborah Warner * Willem Dafoe * Simon McBurney * Robert Lepage * John Johnston (Britain's last Theatre Censor) 'A rich, stimulating treasure trove. Eyre's interviews exactly hit the spot: in revealing themselves, his subjects also give the reader a panoramic view of modern theatre' Michael Billington

In this lavishly illustrated hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse as the Cottesloe in 1977, Glyndebourne in 1994, the Orange Tree Theatre in 1991, the Martha Cohen Theatre in 1985 and the Tina Packer Playhouse in 2001, he discovered why the same show worked in some theatres but not in others. It is this unique blend of experience that informs this account of many of the best-known theatre spaces in Britain, besides many international examples including the Guthrie Theater, Minneapolis and the Oslo Opera House. Running throughout is a consideration of factors which have shaped design thinking during this time and which demand attention today. After the long theatre closures driven by the Covid-19 pandemic, Mackintosh argues that now is the time to discover the routes travelled over the last century. Published in partnership with the Society of Theatre Research, the book features a foreword by Sir Richard Eyre, Director of the National Theatre, 1987-1997.

Antonio Pappano is the conductor for Richard Eyre's production of Verdi's opera staged at the Royal Opera House in 2009. American soprano Renee Fleming heads an all-star cast including Johan Botha, Joseph Calleja, Thomas Hampson and Eddie Wade.

'A work whose power stands the test of time' Sunday Times Set in 1900s, this is a lushly descriptive and highly autobiographical portrayal of a young man growing up in class-divided Nottingham. Paul Morel is the focus of his disappointed and fiercely protective mother's life. Their tender, devoted and intense bond comes under strain when Paul falls in love with Miriam Leivers, a local girl his mother disapproves of. The arrival of the provocatively modern Clara Dawes causes further tension and Paul is torn between his individual desires and family allegiances. Set in a Nottinghamshire mining town at the turn of the twentieth century, this is a powerful portrayal of family and love in all its forms. WITH AN INTRODUCTION BY RICHARD EYRE

New York Times drama critic Mel Gussow first met Arthur Miller in 1963 during rehearsals of After the Fall, the play inspired by Miller's marriage to Marilyn Monroe. They then met regularly over the following forty years. Conversations with Miller records what was discussed at more than a dozen of these meetings. In the book, the author of Death of a Salesman, A View from the Bridge and The Crucible is astonishingly candid about everything from the personal to the political: his successes and disappointments in theatre, his role as an advocate of human rights, his staunch resistance to the United States Congressional witch hunts of the 1950s. He also speaks forthrightly about his relationship with Monroe. Personal, wise and often very funny, the result is a revealing self-portrait of one of the giants of twentieth-century literature, who was both a 'regular guy' and a fiercely original writer and thinker. Published to mark the centenary of Arthur Miller's birth, this new edition of Conversations of Miller features a new Foreword by Richard Eyre, former Artistic Director of the National Theatre, and an Afterword by publisher Nick Hern, in which both reflect on their own conversations with America's greatest playwright.

The methods described in Three Steps to a Strong Family aim to help parents give children a sense of security and stability and prepare them for the adult world. Linda and Richard Eyre's Three Steps to a Strong Family shows how to create a family legal system, a family economy and a sense of family identity which work together to provide rules, limits and goals.

We all know that an attitude of gratitude helps each day be a little better. When times are difficult and challenges abound, having a thankful heart is the catalyst for the abundant life. Daily Thanks, by bestselling family authors Richard and Linda Eyre, is a book to keep or a book to give, filled with original poems and famous quotes about gratitude, inspiring images, and daily opportunities to record your grateful moment for even the most difficult day. Each month features a challenge to exercise gratitude in a specific area of life, keeping an attitude of gratitude alive long after the Thanksgiving leftovers are gone. In this beautiful journal, we find the opportunity to consciously and deliberately develop our own skill to feel gratitude more deeply, and give it more freely.

Since his successful spell running the National Theatre, Richard Eyre's career as a director of film, theatre and opera has made him a leading cultural figure and a hugely respected commentator on the arts. This book collects over fifty short pieces written by Eyre about people he has known and worked with, ideas he has struggled with, things that have moved, delighted or infuriated him. He writes with candour, perceptiveness and charm, and always with an eye for the telling anecdote or the revealing detail that betrays the inner life of his subject. Here we encounter Arthur Miller recounting to Eyre the events of the first night of Death of a Salesman; Harold Pinter overheard in a characteristically pugnacious exchange; Judi Dench racing clockwork chicks across a table, her face 'illuminated by demented glee'. Here too are Alan Bennett, Kate Winslet, Margaret Thatcher, John Mortimer and Marlon Brando, each of them brought vividly and unforgettably to life in the space of a few hundred words. Eyre also includes pieces about the monarchy, about the Iraq War, about Alzheimer's Disease (from which his mother suffered), about his love of climbing (from the comparative safety of his armchair), and about the relationship between music and sexuality. What Do I Know? is a book that tackles serious ideas with a light and often mischievous touch, and it confirms Eyre's place as one of our foremost writers and cultural statesmen. 'Richard Eyre's writing is illuminated by all he has achieved as the consummate director of our age. He is the wise and gentle expert on the human heart.' Ian McEwan